I've been reading George MacDonald's Phantastes, and I just finished it today. For a long time I've wanted to read MacDonald, based on what I had heard in snippets of C.S.Lewis' writings. I believe he mentions the man in his autobiographical Surprised By Joy. I am left with mixed feelings about the work. For one thing, it was very disjointed. The main character enters Fairy Land, a place of strange, ridiculous events and creatures, and he stumbles around from one adventure to the next, barely even understanding himself anything that's happening. Every other chapter, Anados seems to be "breaking the rules" somehow and landing himself in trouble. But it's this strange thing, because he could hardly know beforehand what those rules are. For instance, at one point, there is a statue of a woman, whom he is trying to bring to life with his singing. And first his songs merely uncover her from some invisible shroud, but when she doesn't come to life, he flings himself on the statue. Instantly, the woman comes to life and says, "You should not have touched me," and she runs away. So I'm left wondering, what the hell?
This kind of thing seems to happen a lot. Some troll woman tells him not to open a closet, but he does anyway, and that's how a grave shadow enters his life and begins following him around. Every which way, people are telling him to do this or not do that, but no one ever says why, and sometimes if he listens he gets in trouble, and sometimes if he doesn't listen, he gets in trouble, and so on and on. It makes it difficult to read.
On the other hand, each of the stories in and of themselves were in many ways captivating. There was a certain spirit in the writing that made me feel like maybe I had something invested in the stories. It was a nameless quality, which I cannot describe, but nonetheless remains compelling.
So, I was thinking, as I was getting on in the story, it is quite interesting that this type of Fairy Story seems to be more and more what real life is like. I don't mean all the Fairy elements, with sprites and goblins and giants and enchantments. But when we read stories nowadays, there are certain rules which good literature tends to follow. It has a certain set-up, character development, plot intricacies, climax and resolution - all the important elements of a well-rounded novel that one would want to read again and again and again. But the Fairy story, or the Myth, seems to have a different set of rules, or is, perhaps, disinterested with rules in general. Most of us seem to want our lives to be like the former. The story starts out with a deal of set-up and character development, then our lives get messed up in an intricate web of action, and finally we come to an incredible climax, followed by a grand resolution. And the resolution justifies all that has happened before or in some way redeems it, so then we can look back down the road and say to ourselves, "Yes, it was worth it."
But what if life is more like the fairy story. We're thrown suddenly into a world that doesn't make sense, whose rules we might intuit on some level but are never fully explained nor comprehended. We go from one adventure to the next, all the while hoping that we're making our way to somewhere important, and we pick out people and events that seem to us significant and try to piece together some kind of portrait, but it just keeps going on, sometimes weaving in and out of different places and sometimes coming to very important places in life. But perhaps in life there is no climax, no resolution. Maybe we look back and we can see how some things may have led to where we are now and who we've become, but we still don't understand the rules of how we're to make our choices, but we have to live with the consequences. It's just a strange thing to me.
I especially liked the ending of the book, which seemed to give it some purpose and depth. Anados talks of all that he wanted for himself, how he went out hoping to be somebody, hoping to find and become his "Ideal." And in his adventures he learned that it is better by far to love. He says many things near the end which I find profound, but which are made more so with a full reading of his adventures:
"...for now I could love without needing to be loved again."
"I knew now that it is by loving, and not by being loved, that one can come nearest the soul of another, yea, that, where two love, it is the loving of each other, and not the being beloved by each other, that originates and perfects and assures their blessedness. I knew that love gives to him that loveth, power over any soul beloved, even if that soul know him not, bringing him inwardly close to that spirit, a power that cannot be but for good, for in proportion as selfishness intrudes, the love ceases, and the power which springs therefrom dies."
And finally, in the last chapter, he states, "I have a strange feeling sometimes that I am a ghost, sent into the world to minister to my fellowmen, or, rather, to repair the wrongs I have already done. May the world be brighter for me, at least in those portiions of it, where my darkness falls not.
Thus I, who set out to find my Ideal, came back rejoicing that I had lost my Shadow."
The book is utterly strange, and I don't know if I recommend it to just anyone. But there are gems in it worth carrying. Several times I considered just putting it down, but in the end I really enjoyed it, and I'm glad I finished it.
Wednesday, May 13, 2009
Monday, May 11, 2009
Activities
At this point in time, I have been getting agitated about my job. I keep pouring myself into activities, and I'm really enjoying them, but I want to be done waiting tables. It is the least fulfilling thing about my life. Everything else is exciting right now. We started playing Ultimate Frisbee every Saturday at noon, and that's been really fun. We've been doing dancing lessons on Saturday afternoon. I started playing bass for the worship team at church this weekend. A friend of mine and I are planning an Improv night, where we will be doing improv games and activities. I recently finished a shorter book called "Trumpet," and I'm planning on sending it to a publisher. It's an inspirational book that I think is really creative and I really like.
So I'm doing a lot, and I'm enjoying life with my wife and our friends here in Utah. And then I go to work, and all that excitement goes away. All that fulfillment disappears. I feel I need God's favor more than ever, but I'm in this balance between being responsible and thinking maybe I'm just supposed to trust him. I mean, I know I'm supposed to have faith - it's just figuring out what faith is telling me to do. Maybe it means I keep going to work and trust that God will keep me going until such time as other opportunities present themselves. I don't know.
Part of me hesitates to ask God for "favor," because it sounds like a televangelist or something like that, but I think the bible paints a pretty good picture of seeking God's favor. I just don't want it to sound like it lacks depth or reveals some kind of unwillingness to endure or to give my all for God.
Anyway, the point is, I try to think positive - and maybe I don't spend enough time in prayer and meditation, but I want my life to be led by the voice of God, by his Spirit's whisper in my mind, and sometimes it just feels like I'm just fumbling my way through.
People talk about living life by God's power or living on your own power. But no one has ever been able to explain what that really means to me. I mean I understand the idea, and maybe there's some truth to it. But what is the difference, specifically. Suppose God asks me to plant a tree. Don't I simply go out, dig a hole, fill in the hole with a little sapling, water it and watch it grow? I mean, is there a way to do that "On my own power" that actually looks different than doing it "by God's power?" Or say I want to tell a friend about Jesus, but I get in this attitude of not needing some extra boost from God's spirit, and I go try to speak to people "on my own power." What does that mean? It seems like what people mean when they say that is that there is some indistinct inner attitude or feeling which, felt a certain way, is centered on God, and felt a different way is relying on the self. But I don't know what that means exactly and I certainly don't know how to measure it or gauge how well I'm accomplishing it.
I get this suspicion that what we're really supposed to do is pray, ask for God's guidance and assistance, enjoy his presence, and then act. And this is what I've been trying to do, perhaps not enough of it, and I've ended up where I am now. And of course, I have a lot of things going for me. I just find that I let a lack of money control too much of my life, and I limit my thinking about what I can do and what I can experience, when God says "I can do all things"
"Through Christ."
So I'm back again at the question: what does that mean, "Through Christ?"
So I'm doing a lot, and I'm enjoying life with my wife and our friends here in Utah. And then I go to work, and all that excitement goes away. All that fulfillment disappears. I feel I need God's favor more than ever, but I'm in this balance between being responsible and thinking maybe I'm just supposed to trust him. I mean, I know I'm supposed to have faith - it's just figuring out what faith is telling me to do. Maybe it means I keep going to work and trust that God will keep me going until such time as other opportunities present themselves. I don't know.
Part of me hesitates to ask God for "favor," because it sounds like a televangelist or something like that, but I think the bible paints a pretty good picture of seeking God's favor. I just don't want it to sound like it lacks depth or reveals some kind of unwillingness to endure or to give my all for God.
Anyway, the point is, I try to think positive - and maybe I don't spend enough time in prayer and meditation, but I want my life to be led by the voice of God, by his Spirit's whisper in my mind, and sometimes it just feels like I'm just fumbling my way through.
People talk about living life by God's power or living on your own power. But no one has ever been able to explain what that really means to me. I mean I understand the idea, and maybe there's some truth to it. But what is the difference, specifically. Suppose God asks me to plant a tree. Don't I simply go out, dig a hole, fill in the hole with a little sapling, water it and watch it grow? I mean, is there a way to do that "On my own power" that actually looks different than doing it "by God's power?" Or say I want to tell a friend about Jesus, but I get in this attitude of not needing some extra boost from God's spirit, and I go try to speak to people "on my own power." What does that mean? It seems like what people mean when they say that is that there is some indistinct inner attitude or feeling which, felt a certain way, is centered on God, and felt a different way is relying on the self. But I don't know what that means exactly and I certainly don't know how to measure it or gauge how well I'm accomplishing it.
I get this suspicion that what we're really supposed to do is pray, ask for God's guidance and assistance, enjoy his presence, and then act. And this is what I've been trying to do, perhaps not enough of it, and I've ended up where I am now. And of course, I have a lot of things going for me. I just find that I let a lack of money control too much of my life, and I limit my thinking about what I can do and what I can experience, when God says "I can do all things"
"Through Christ."
So I'm back again at the question: what does that mean, "Through Christ?"
Wednesday, April 22, 2009
Till we have Faces
I just realized that I neglected to blog about the book I read a few months ago: Til we have Faces, by C.S.Lewis. I will try to dredge up my thoughts from memory with as much freshness as possible.
As usual, Lewis writes with a compelling clarity. In this case I found it difficult to see where he was going with the story, and I wondered several times if there would be a "point" to it, or if it was merely for our enjoyment, to delve into the genre of "myth" and maybe feel something. And I did not see it all coming until the very end, when it suddenly rose up and overwhelmed me.
I first came across the book in high school. During my senior year I had a study hall hour, during which I often went to the library. I found the book there and read parts of it during that hour, picking it up off the shelf several times on different days, but I never actually checked it out, though I don't know why. The story stuck in my mind, the feeling of it, the depth of it, and I didn't know why that was either, for there was nothing I could really point out about it to say, "here's why everyone must read this book." So I held it in my heart for years that I wanted to one day pick it up again and read it all the way through. There were always other books to read and other tasks to accomplish. So recently I read it, not ever having found out the meaning of the Title. Til We Have Faces always seemed odd and strangely interesting, but the full line comes in near the end of the book.
A woman in the story has a complaint against the gods, because of the sorrows in her life, and finally she faces them, and she makes her complaint, only it wasn't the carefully crafted thing she had been writing, building her noble case against them. It was the ravings of her heart that she read to them and her complaint, heard aloud, became her answer. And she reflects on it as follows:
"The complaint was the answer. To have heard myself making it was to be answered. Lightly men talk of saying what they mean. Often when he was teaching me to write in Greek the Fox would say, 'Child, to say the very thing you really mean, the whole of it, nothing more or less or other than what you really mean; that's the whole art and joy of words.' A glib saying. When the time comes to you at which you will be forced at last to utter the speech which has lain at the center of your soul for years, which you have, all that time, idiot-like, been saying over and over, you'll not talk about joy of words. I saw well why the gods do not speak to us openly, nor let us answer. Till that word can be dug out of us, why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?"
Somehow it took all our bitterness and suffering and put it in perspective so grand we cannot even fathom the whole truth, like Jonah whining about his vine, chastized by a god who sees ultimately greater and more. I cannot communicate here fully what this accomplishes for me, but I can say that it is a treasure to hold.
As usual, Lewis writes with a compelling clarity. In this case I found it difficult to see where he was going with the story, and I wondered several times if there would be a "point" to it, or if it was merely for our enjoyment, to delve into the genre of "myth" and maybe feel something. And I did not see it all coming until the very end, when it suddenly rose up and overwhelmed me.
I first came across the book in high school. During my senior year I had a study hall hour, during which I often went to the library. I found the book there and read parts of it during that hour, picking it up off the shelf several times on different days, but I never actually checked it out, though I don't know why. The story stuck in my mind, the feeling of it, the depth of it, and I didn't know why that was either, for there was nothing I could really point out about it to say, "here's why everyone must read this book." So I held it in my heart for years that I wanted to one day pick it up again and read it all the way through. There were always other books to read and other tasks to accomplish. So recently I read it, not ever having found out the meaning of the Title. Til We Have Faces always seemed odd and strangely interesting, but the full line comes in near the end of the book.
A woman in the story has a complaint against the gods, because of the sorrows in her life, and finally she faces them, and she makes her complaint, only it wasn't the carefully crafted thing she had been writing, building her noble case against them. It was the ravings of her heart that she read to them and her complaint, heard aloud, became her answer. And she reflects on it as follows:
"The complaint was the answer. To have heard myself making it was to be answered. Lightly men talk of saying what they mean. Often when he was teaching me to write in Greek the Fox would say, 'Child, to say the very thing you really mean, the whole of it, nothing more or less or other than what you really mean; that's the whole art and joy of words.' A glib saying. When the time comes to you at which you will be forced at last to utter the speech which has lain at the center of your soul for years, which you have, all that time, idiot-like, been saying over and over, you'll not talk about joy of words. I saw well why the gods do not speak to us openly, nor let us answer. Till that word can be dug out of us, why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?"
Somehow it took all our bitterness and suffering and put it in perspective so grand we cannot even fathom the whole truth, like Jonah whining about his vine, chastized by a god who sees ultimately greater and more. I cannot communicate here fully what this accomplishes for me, but I can say that it is a treasure to hold.
Wednesday, March 04, 2009
"What's Your Story?"
It's been a long time, I know, and I still don't really know what to write about, but I'm in one of those moods, and I wanted to get something down. It seems like not much has happened since last I wrote. We had our first Arts Group presentation soon after my last post, and it went over very well. We had Christmas and New Years. I wrote a Mafia Murder Mystery party, and our group of friends went through it on New Years, and it was a huge success. Since then, life has kind of just gone by.
The Arts Group is now planning a new presentation event, centered on the theme entitled, "What's Your Story?" Our first event was on the theme of Freedom, and while it was great, we wanted to move into a different approach to art. After hearing my brother speak at church over Christmas and talking about my parents' church "telling each other their stories" as a vital role of community, we decided we wanted the arts group to do something a little more intimate. We wanted to do something that forced the artist (or pseudo-artist) to delve deap into their experience and inner person and communicate their story with the community. We wanted to tell one another the intimate core of who we were and what we've gone through.
For this event I am actually working on a puppet show. Strange as that may sound, it's something I've been wanting to do for a long time. It just so happens that the pastor of E-vin and his wife are pretty much experts on puppets. We've been spending the last few weeks working hard on making puppets (not just for my show - there's a lot of interest in utilizing them for children's activities). It's a little difficult for me to visualize "telling my story" through a puppet show, but my ideas are coming together just fine, and I think it will work out.
So what, you might ask, is my story? I hesitate to share, if only for the people who might see the puppet show and miss out on the suspense. But I think I need to:
When I was in High School, I remember going to a play at the Chanhassen dinner theatre. I don't remember what the show was or what it was about. All I remember was that at some point, the leading male role did a song and at the end of the song he had his arms spread wide, soaking in the applause of the crowd. I thought to myself at the time that that was what I wanted. I wanted to play a great leading role, be a hero, maybe kiss the girl, and soak in the applause of an appreciative crowd. I think there's a difference between mere vanity and truly relishing the moment, and I now see nothing wrong with this desire. My senior year in High School, I played Tevye in Fiddler on the Roof. Now you might say that this was just high school, nothing special, not anywhere near the big leagues. But you need to understand that I still get comments to this very day about my performance in that play. And the scale is not really the point anyway. The point is that I got a great role, played it very well, and at the end of "If I were a Rich Man" I had my hands up in the air and I was soaking in the applause of an appreciative crowd. There may have been no kissing girls involved, but the heart of the idea was there. I saw myself in the spotlight and it came to be.
When I got to college, I had a conversation with a guy who was a senior at the time, when I was only a freshman. I remember very well that he told me when he first got to college, he thought he would be the big man on campus, leading all the great Campus Ministries and heading up vibrant activities. But it didn't happen. It was like he was telling me, "I'm nothing special and neither are you." I journaled recently, "In college I started to believe I was nobody special, and I thought I was learning to be humble. I want to believe once again that I am destined for great things."
When we are young, many of us are told that we are special, that we're raally going places, that God has great plans for our lives. Then many of us go off and meet people who have become jaded through disappointment and failures. And they'll tell us how they used to think like we did and how "life" showed them otherwise. We start to believe that maybe our parents just thought we were special because of how much they loved us. Maybe it's not right for us to think so highly of ourselves. Maybe we shouldn't expect great things to happen.
I don't know exactly where I've been since then. I just know I haven't been in a play with my hands outstretched, soaking in the applause of an appreciative crowd. So in the past few years I've been engrossed in the attempt to start thinking positive, and that has led me full circle. I lament the attitude of self-abasement that I absorbed, and I've come to a new strength of faith. I've come to believe that if we are to live our lives in faithfulness to the calling of Christ upon it, we have to believe and think positive. I've been delving into what it means to ask anything in jesus name and believe we've received it. There is a lot of controversy in the church over what that means, but at the very least I am sure that it means we're supposed to dream big and believe. We're supposed to believe in the unseen and we're supposed to live a full life in the spirit of God.
So that's my story, and I'm going to try to communicate it through this puppet show. I'm writing two songs. Cassie is playing one of my puppets named Starla, who will be the voice of positivity and happiness and faith, and she'll be singing one of the songs. And my other puppet is Joe the Vampire, who will be the voice of Mediocrity, cynicism, and self-abasement. It should be fun. I'm really glad I wrote all this down. I'm really enjoying making the puppets, and it's one of the few things happening right now to really mark the passing of time in my mind. Anyway, the presentation is going to be two weeks after Easter, so I've got some time still, but there's a lot left to do. I look forward to it.
The Arts Group is now planning a new presentation event, centered on the theme entitled, "What's Your Story?" Our first event was on the theme of Freedom, and while it was great, we wanted to move into a different approach to art. After hearing my brother speak at church over Christmas and talking about my parents' church "telling each other their stories" as a vital role of community, we decided we wanted the arts group to do something a little more intimate. We wanted to do something that forced the artist (or pseudo-artist) to delve deap into their experience and inner person and communicate their story with the community. We wanted to tell one another the intimate core of who we were and what we've gone through.
For this event I am actually working on a puppet show. Strange as that may sound, it's something I've been wanting to do for a long time. It just so happens that the pastor of E-vin and his wife are pretty much experts on puppets. We've been spending the last few weeks working hard on making puppets (not just for my show - there's a lot of interest in utilizing them for children's activities). It's a little difficult for me to visualize "telling my story" through a puppet show, but my ideas are coming together just fine, and I think it will work out.
So what, you might ask, is my story? I hesitate to share, if only for the people who might see the puppet show and miss out on the suspense. But I think I need to:
When I was in High School, I remember going to a play at the Chanhassen dinner theatre. I don't remember what the show was or what it was about. All I remember was that at some point, the leading male role did a song and at the end of the song he had his arms spread wide, soaking in the applause of the crowd. I thought to myself at the time that that was what I wanted. I wanted to play a great leading role, be a hero, maybe kiss the girl, and soak in the applause of an appreciative crowd. I think there's a difference between mere vanity and truly relishing the moment, and I now see nothing wrong with this desire. My senior year in High School, I played Tevye in Fiddler on the Roof. Now you might say that this was just high school, nothing special, not anywhere near the big leagues. But you need to understand that I still get comments to this very day about my performance in that play. And the scale is not really the point anyway. The point is that I got a great role, played it very well, and at the end of "If I were a Rich Man" I had my hands up in the air and I was soaking in the applause of an appreciative crowd. There may have been no kissing girls involved, but the heart of the idea was there. I saw myself in the spotlight and it came to be.
When I got to college, I had a conversation with a guy who was a senior at the time, when I was only a freshman. I remember very well that he told me when he first got to college, he thought he would be the big man on campus, leading all the great Campus Ministries and heading up vibrant activities. But it didn't happen. It was like he was telling me, "I'm nothing special and neither are you." I journaled recently, "In college I started to believe I was nobody special, and I thought I was learning to be humble. I want to believe once again that I am destined for great things."
When we are young, many of us are told that we are special, that we're raally going places, that God has great plans for our lives. Then many of us go off and meet people who have become jaded through disappointment and failures. And they'll tell us how they used to think like we did and how "life" showed them otherwise. We start to believe that maybe our parents just thought we were special because of how much they loved us. Maybe it's not right for us to think so highly of ourselves. Maybe we shouldn't expect great things to happen.
I don't know exactly where I've been since then. I just know I haven't been in a play with my hands outstretched, soaking in the applause of an appreciative crowd. So in the past few years I've been engrossed in the attempt to start thinking positive, and that has led me full circle. I lament the attitude of self-abasement that I absorbed, and I've come to a new strength of faith. I've come to believe that if we are to live our lives in faithfulness to the calling of Christ upon it, we have to believe and think positive. I've been delving into what it means to ask anything in jesus name and believe we've received it. There is a lot of controversy in the church over what that means, but at the very least I am sure that it means we're supposed to dream big and believe. We're supposed to believe in the unseen and we're supposed to live a full life in the spirit of God.
So that's my story, and I'm going to try to communicate it through this puppet show. I'm writing two songs. Cassie is playing one of my puppets named Starla, who will be the voice of positivity and happiness and faith, and she'll be singing one of the songs. And my other puppet is Joe the Vampire, who will be the voice of Mediocrity, cynicism, and self-abasement. It should be fun. I'm really glad I wrote all this down. I'm really enjoying making the puppets, and it's one of the few things happening right now to really mark the passing of time in my mind. Anyway, the presentation is going to be two weeks after Easter, so I've got some time still, but there's a lot left to do. I look forward to it.
Wednesday, December 03, 2008
Church
My experience in Church in the past several years has been mixed. I went to Solomon's Porch for four years in Minnesota, and I miss it terribly today. It was a different experience, far different than any church I've ever been. It was a place where I felt comfortable, because I was able to be myself and I was accepted. It was one of the few places in my life where no one really asked me why I don't talk more or make constant comments about how quiet I am. You'd be surprised how many places you find people who are just plain leery of people who are quiet. They wonder what's wrong with you. Me, I'm just not a big fan of small talk. At Solomon's Porch, I felt like that was alright, even a good thing. I suppose I was more outgoing there than a lot of other places, because I liked the place from the get-go and I wanted to be involved. However it worked out, the place was a harbor to me, a place of openness and acceptance, and I went to church with anticipation. It was also a place where I was challenged. There were opportunities to get involved in helpful services, and it was a challenge to me to get off my butt and do something - something more than joining a small group or something "spiritual."
I also, for two years, went to a church called Emmaus Road, leading music for them every week. That was difficult for me, for several reasons. Mainly, I think, was the distance. The place was a 45 minute drive from where I lived, and getting involved in anything other than the music was more than I was willing to invest, due to the extra distance. It doesn't seem like much, but going somewhere that's that far away, in addition to work and other activities you're into, and doing so more than twice a week, is a little much. It made it difficult for me to feel a part of the community. I was asked a couple of times if ER was somewhere I would attend if I wasn't leading music (which I got paid a small wage to do). I still think I would have gone there if I lived closer, didn't already have Solomon's Porch, and could force myself to get up in the morning. And that's saying a lot, because before Solomon's Porch, there wasn't anywhere that I considered a home church for me (other than the one a grew up in, but that changed after I went to college). But it was also a difficult thing at Emmaus Road, because of all the expectations there. It seemed like we couldn't just be the people of God, and come together to share our lives together and live in community. There was always this sense I felt like we were trying to appease people, trying to get them to like us, so that they'd go to our church and we'd be successful. I mean there were some times that problems came up, issues that people had, where we just said - that's just plain too bad. But it just seemed to me like we were still looking for the right formula to get the job done. We had ideas about being a church where that wasn't the case, but when it came down to "how are we going to do this," we just went right back to the formula. By the end of my time there, I think I was liking it much better, and I felt much more connected to several of the people there (several families had left by that time and new ones had joined in, so that made a difference). But that's when I went to Africa, met Cassie and made plans to move to Utah.
Since coming to Salt Lake, I've had a hard time with Church. There's nothing here like Solomon's Porch. When I got here, Cassie was going to a church plant called E-Vin. It's a Vineyard church in town, and the pastor is Cassie's former youth pastor (I think). They were meeting in a hotel, one of those meeting rooms you can rent out, which meant that they would set up and take down before and after the Sunday service, and there wasn't a ton going on in the space. I visited a couple of times, but I was not impressed, and I missed SP so much, I don't think I could stomach anything else. We also had a lot of friends who went to another Vineyard church nearby, and we've gone to a few events there over the past couple years, but it's not a place I wanted to attend either. We also tried one other church that was downtown, and it seemed like it might be a good thing, but when we got there, neither one of us liked it all that much. It was too much a place where we could just get lost in the mix.
I don't like judging churches based on the teachings or the music, but it's really hard not to. I dont' know if I burned myself out on worship music in general, or what, but I just don't get into it. And as far as teachings go, I've heard all the basics before. When I hear sermon after sermon on how Jesus loves you, or anything like that, I just need to get out. I'm not one of those people who can just sit there and say "amen." Without a chance to engage with what we're talking about, it's usually just pointless for me. Like I said, I don't like judging churches on those things only, but I don't like sitting through them either. The biggest problem for me has been that element of involvment. I need to feel like I'm a part of things, like I'm doing something valuable. So for a while, I didn't go to church. Cassie and I went to a young adults Bible Study two or three times a month, and I slept in on Sunday mornings.
Cassie wasn't going to E-vin much after we got married, either. We were both keeping our eyes and ears open for something we really felt was right, but I didn't want to just go church "shopping," a term I abhor. Then we heard that E-vin was getting a place of its own, which I thought might show some promise. We started going there at least some of the time, and I tried to get involved in discussion if there was any. Finally, they got their new place, and after talking with the pastor and his wife, I was feeling pretty good about it, because they wanted it to be a place with a lot of creative expression and where things were done differently.
In some ways I was reminded of Emmaus Road. It was a church plant, just getting on its feet, hoping to flourish and wanting to do things differently, wanting to not be a normal church. There was that element of formula, but there was also the air of accomplishment. In short time they made great progress in remodeling the place, a former court. I went in to help a couple of times, but not as much as I wanted. Still, I thought to myself that here I might be able to get involved.
Some time passed, and we were in church on Sunday morning, and I was getting frustrated. I don't know if I could sit through another sermon or sing one more song. It felt so stale to me. I've heard it all before, sung it all before. I needed something to do, something valuable to contribute. I left the room and paced about. I left the building and walked along the sidewalk. I came back and tried to endure it. I left again and walked around. When I got back I told Cassie I wanted to start something, and we talked to the pastor about having a meeting about art. Thus was born the E-Vin Arts Group, which meets every Tuesday night. Right now we're planning to present art that we've been working on in a couple of Sundays from now. It's also one of the highlights of my week.
I don't know why I'm going through all this, other than to let people know that I'm really happy being involved in a church in a way that is vibrant and productive. And I guess if there are people around who are having a hard time with "church," whether it is finding a church or dealing with the one they have, it is important to get involved in some way that sparks your passion, and if there isn't anything like that, then start something. We can't just attend a church. That is why I think so many youth groups have such a stronger passion and sense of vibrant activity than their own churches, because they tend to be more activity oriented, they emphasize involvement, participation, and experience.
So that's what I have to say for now. It's been a good experience. There's no substitute for Solomon's Porch, but I feel like we have a place and a community to be a part of, and something to contribute.
I also, for two years, went to a church called Emmaus Road, leading music for them every week. That was difficult for me, for several reasons. Mainly, I think, was the distance. The place was a 45 minute drive from where I lived, and getting involved in anything other than the music was more than I was willing to invest, due to the extra distance. It doesn't seem like much, but going somewhere that's that far away, in addition to work and other activities you're into, and doing so more than twice a week, is a little much. It made it difficult for me to feel a part of the community. I was asked a couple of times if ER was somewhere I would attend if I wasn't leading music (which I got paid a small wage to do). I still think I would have gone there if I lived closer, didn't already have Solomon's Porch, and could force myself to get up in the morning. And that's saying a lot, because before Solomon's Porch, there wasn't anywhere that I considered a home church for me (other than the one a grew up in, but that changed after I went to college). But it was also a difficult thing at Emmaus Road, because of all the expectations there. It seemed like we couldn't just be the people of God, and come together to share our lives together and live in community. There was always this sense I felt like we were trying to appease people, trying to get them to like us, so that they'd go to our church and we'd be successful. I mean there were some times that problems came up, issues that people had, where we just said - that's just plain too bad. But it just seemed to me like we were still looking for the right formula to get the job done. We had ideas about being a church where that wasn't the case, but when it came down to "how are we going to do this," we just went right back to the formula. By the end of my time there, I think I was liking it much better, and I felt much more connected to several of the people there (several families had left by that time and new ones had joined in, so that made a difference). But that's when I went to Africa, met Cassie and made plans to move to Utah.
Since coming to Salt Lake, I've had a hard time with Church. There's nothing here like Solomon's Porch. When I got here, Cassie was going to a church plant called E-Vin. It's a Vineyard church in town, and the pastor is Cassie's former youth pastor (I think). They were meeting in a hotel, one of those meeting rooms you can rent out, which meant that they would set up and take down before and after the Sunday service, and there wasn't a ton going on in the space. I visited a couple of times, but I was not impressed, and I missed SP so much, I don't think I could stomach anything else. We also had a lot of friends who went to another Vineyard church nearby, and we've gone to a few events there over the past couple years, but it's not a place I wanted to attend either. We also tried one other church that was downtown, and it seemed like it might be a good thing, but when we got there, neither one of us liked it all that much. It was too much a place where we could just get lost in the mix.
I don't like judging churches based on the teachings or the music, but it's really hard not to. I dont' know if I burned myself out on worship music in general, or what, but I just don't get into it. And as far as teachings go, I've heard all the basics before. When I hear sermon after sermon on how Jesus loves you, or anything like that, I just need to get out. I'm not one of those people who can just sit there and say "amen." Without a chance to engage with what we're talking about, it's usually just pointless for me. Like I said, I don't like judging churches on those things only, but I don't like sitting through them either. The biggest problem for me has been that element of involvment. I need to feel like I'm a part of things, like I'm doing something valuable. So for a while, I didn't go to church. Cassie and I went to a young adults Bible Study two or three times a month, and I slept in on Sunday mornings.
Cassie wasn't going to E-vin much after we got married, either. We were both keeping our eyes and ears open for something we really felt was right, but I didn't want to just go church "shopping," a term I abhor. Then we heard that E-vin was getting a place of its own, which I thought might show some promise. We started going there at least some of the time, and I tried to get involved in discussion if there was any. Finally, they got their new place, and after talking with the pastor and his wife, I was feeling pretty good about it, because they wanted it to be a place with a lot of creative expression and where things were done differently.
In some ways I was reminded of Emmaus Road. It was a church plant, just getting on its feet, hoping to flourish and wanting to do things differently, wanting to not be a normal church. There was that element of formula, but there was also the air of accomplishment. In short time they made great progress in remodeling the place, a former court. I went in to help a couple of times, but not as much as I wanted. Still, I thought to myself that here I might be able to get involved.
Some time passed, and we were in church on Sunday morning, and I was getting frustrated. I don't know if I could sit through another sermon or sing one more song. It felt so stale to me. I've heard it all before, sung it all before. I needed something to do, something valuable to contribute. I left the room and paced about. I left the building and walked along the sidewalk. I came back and tried to endure it. I left again and walked around. When I got back I told Cassie I wanted to start something, and we talked to the pastor about having a meeting about art. Thus was born the E-Vin Arts Group, which meets every Tuesday night. Right now we're planning to present art that we've been working on in a couple of Sundays from now. It's also one of the highlights of my week.
I don't know why I'm going through all this, other than to let people know that I'm really happy being involved in a church in a way that is vibrant and productive. And I guess if there are people around who are having a hard time with "church," whether it is finding a church or dealing with the one they have, it is important to get involved in some way that sparks your passion, and if there isn't anything like that, then start something. We can't just attend a church. That is why I think so many youth groups have such a stronger passion and sense of vibrant activity than their own churches, because they tend to be more activity oriented, they emphasize involvement, participation, and experience.
So that's what I have to say for now. It's been a good experience. There's no substitute for Solomon's Porch, but I feel like we have a place and a community to be a part of, and something to contribute.
Saturday, November 15, 2008
Perspective shift
So I've still been reading this book, A New Kind of Christian, and I've been trying to think of when it was, primarily, that my perspective really shifted. I know it was gradual, but by the time I was done with college, I no longer felt at home in most church experiences, specifically, most sermnizing that I found. Then I stepped into Solomon's porch, where the pastor could freely admit that he didn't know if something in the Bible meant one thing or another or could say that he didn't think a portion of the bible was really relevant to the way we were doing things now, and all the practices were a creation in themselves, liturgies that really meant something, personal stories being shared, everyone sitting in the round, facing one another, music that was written by the community and reflected the journey of that community, art happening continually, and much more. And I stepped into this church, and something within me finally found a home for who I had become. I don't know if I would have felt the same when I was in high school or not, and I guess there's no way to know. I just know that a lot of the ideas in this book are ideas that I've encountered before and actually found embodied or celebrated at Solomon's porch, and they're ideas that I found to fit just where I was theologically and personally.
So I'm trying to discover in my memory, when it was that my perspective shifted.
I remember my Intro to Biblical Studies class, taught by Scot McKnight, when we talked about James, and his assertion that salvation (or justification) is "not only by faith, but also through works." Scot described this passage as a direct, opposing response to Paul's assertion that salvation is "through faith, not by works." I guess it was the first time that I had heard someone in authority on biblical issues act is if the goal were not to synthesize everything into a nice compact whole. In our modern mindsets (modern being a period from around maybe the 1500s to a little while ago) we look at the Bible and try to figure out how they are all saying the same thing, or how they all fit together as a cohesive unit. In class I raised my hand and said something about this, without really knowing what was going on, and I was made to feel quite stupid for it.
The point of that experience was to learn that there are other ways. Even if my teacher had been wrong, it would still show that a man who truly loved God could have a different way of looking at the Bible and still be a man who loved God. As it was I saw that he was pretty much right. People could easily take Paul's words and conclude that they don't have to do good works, and they could be saved anyway. Even Paul didn't go that far and sometimes warned against this, but James probably felt he had to set the record straight, and make the truth plain - no, you have to have good works. If you don't that so-called "faith" that you've been saved through doeasn't mean squat.
So maybe that was a big part of the shift for me. And throughout my education in Biblical studies, along with my own personal reading time, I came to a different understanding of how to read the bible, and I developed a kind of aversion to systematic theology.
Another example, and I believe this must have been around the same time, I was in a C.S.Lewis class, and in it we were required to do a paper on anything C.S.Lewis. I went to the library and picked up a book that I had never noticed before, called "the Great Divorce." In the Great Divorce, Lewis creates an afterlife and focuses on people going to hell. In this hell, the world is much the same, only without God in it. People live on the earth and go about their days, drifting further and further apart from one another and winding up in eventual misery. But in this hell there is a bus, a flying bus that anyone can take up to heaven. Woo-hoo, a bus to heaven. When they get to the outskirts of heaven, they're met by a number of angels and heaven dwellers, who offer to lead them up into the great city. But first there's a bit of discourse. First of all, the ground itself is so real, so strong, so incredibly lively, that it is too hard to walk on. The grass bites up through their shoes, the sun is too bright, the rain is too wet, that kind of thing. Their hosts tell them that they'll soon grow into it as they travel, and they'll learn to enjoy it, but this dilemma is in itself enough to send several people back on the bus. Other people have other problems with heaven. Some of them don't want to live under God's rules, they want to live however they pleased, just like they did on earth. Others are looking for Nirvana and refuse to accept their predicament as reality. Pretty much everybody has a problem with heaven, and everybody gets back on the bus and goes back down to hell, where they're free to live out their miserable existence as they please.
On the one hand, this story might pass under the radar of those who will look at it and go, "yeah, that's right. Everybody who goes to hell belongs there." But if you look at it carefully, you can see that's a very subversive idea in our modern contexts. First of all it's saying that the afterlife is not just a verdict and a sentence based on one certain infraction or another, which is how we like to see it in modern Christianity. You've done wrong, you go to hell, and without Jesus to step in and bring you to heaven, you're doomed. It's really a harsh metaphor, and it's one I find disturbing. I much prefer the loving father metaphor, who wants all of his prodigal sons to return and welcomes them with open arms. This story suggests that that love may continue after death.
So I ended up writing my paper on this book. I stayed in that library until like 3 in the morning, reading it. And I ended up mulling over the story for years to come. I consider it a shift in my focus, one that I think I had been longing for. Life was no longer just about heaven and hell, like so many modern evangelicals would have it. Rather, heaven and hell were merely about life. What we did and who we became in this life suddenly became incredibly important. Other religions seemed to have important things to say, now, because they weren't just all wrong, any more than we were all right. It wasn't just about being wrong or right. It was about becoming more real or less real. It was about becoming people who could walk in the reality of that kind of a heaven. And it was about welcoming others instead of ostracizing them. I wondered if there were those who did not know Jesus, who would get to this heaven and say, "okay, I think I can do this." I wondered if Ghandi, who said positive things about Jesus and merely disliked his followers, would get off the bus, find a heaven that he has yearned for throughout life and take the trek up to the city of God.
Those two examples were just my freshman year. I remember going home at some points throughout college and talking theology with my mom and dad, who worried about having sent their son to "that liberal school," but who nonetheless were the best parents one could have and entrusted me to God's care, I think for the better.
Anyway, there is a lot here and there is a lot more beneath the surface and there isn't much explanation, so you'd have to read A New Kind of Christian to get more of what I'm talking about. I'm just left in wonder about my life and finding myself in this different place. I mean I was always questioning, growing up. But after college, I found that I had changed, and I don't think I saw all the changes happening even though I was thoroughly aware of the controversies as they happened, I just didn't see it as an overarching push toward a whole new perspective. If someone told me I'd be here, believing these things or not believing others, when I was in high school, I don't know what I would say. I think I had a relatively open mind at that age, for I was able to carry on conversations with people of other religions or no religion at all, without offending them. That in itself I think proves something good about where I was. But life is strange sometimes, and we end up in places we'd never thought we'd be, and sometimes it's better than the places we had dreamed for ourselves.
So I'm trying to discover in my memory, when it was that my perspective shifted.
I remember my Intro to Biblical Studies class, taught by Scot McKnight, when we talked about James, and his assertion that salvation (or justification) is "not only by faith, but also through works." Scot described this passage as a direct, opposing response to Paul's assertion that salvation is "through faith, not by works." I guess it was the first time that I had heard someone in authority on biblical issues act is if the goal were not to synthesize everything into a nice compact whole. In our modern mindsets (modern being a period from around maybe the 1500s to a little while ago) we look at the Bible and try to figure out how they are all saying the same thing, or how they all fit together as a cohesive unit. In class I raised my hand and said something about this, without really knowing what was going on, and I was made to feel quite stupid for it.
The point of that experience was to learn that there are other ways. Even if my teacher had been wrong, it would still show that a man who truly loved God could have a different way of looking at the Bible and still be a man who loved God. As it was I saw that he was pretty much right. People could easily take Paul's words and conclude that they don't have to do good works, and they could be saved anyway. Even Paul didn't go that far and sometimes warned against this, but James probably felt he had to set the record straight, and make the truth plain - no, you have to have good works. If you don't that so-called "faith" that you've been saved through doeasn't mean squat.
So maybe that was a big part of the shift for me. And throughout my education in Biblical studies, along with my own personal reading time, I came to a different understanding of how to read the bible, and I developed a kind of aversion to systematic theology.
Another example, and I believe this must have been around the same time, I was in a C.S.Lewis class, and in it we were required to do a paper on anything C.S.Lewis. I went to the library and picked up a book that I had never noticed before, called "the Great Divorce." In the Great Divorce, Lewis creates an afterlife and focuses on people going to hell. In this hell, the world is much the same, only without God in it. People live on the earth and go about their days, drifting further and further apart from one another and winding up in eventual misery. But in this hell there is a bus, a flying bus that anyone can take up to heaven. Woo-hoo, a bus to heaven. When they get to the outskirts of heaven, they're met by a number of angels and heaven dwellers, who offer to lead them up into the great city. But first there's a bit of discourse. First of all, the ground itself is so real, so strong, so incredibly lively, that it is too hard to walk on. The grass bites up through their shoes, the sun is too bright, the rain is too wet, that kind of thing. Their hosts tell them that they'll soon grow into it as they travel, and they'll learn to enjoy it, but this dilemma is in itself enough to send several people back on the bus. Other people have other problems with heaven. Some of them don't want to live under God's rules, they want to live however they pleased, just like they did on earth. Others are looking for Nirvana and refuse to accept their predicament as reality. Pretty much everybody has a problem with heaven, and everybody gets back on the bus and goes back down to hell, where they're free to live out their miserable existence as they please.
On the one hand, this story might pass under the radar of those who will look at it and go, "yeah, that's right. Everybody who goes to hell belongs there." But if you look at it carefully, you can see that's a very subversive idea in our modern contexts. First of all it's saying that the afterlife is not just a verdict and a sentence based on one certain infraction or another, which is how we like to see it in modern Christianity. You've done wrong, you go to hell, and without Jesus to step in and bring you to heaven, you're doomed. It's really a harsh metaphor, and it's one I find disturbing. I much prefer the loving father metaphor, who wants all of his prodigal sons to return and welcomes them with open arms. This story suggests that that love may continue after death.
So I ended up writing my paper on this book. I stayed in that library until like 3 in the morning, reading it. And I ended up mulling over the story for years to come. I consider it a shift in my focus, one that I think I had been longing for. Life was no longer just about heaven and hell, like so many modern evangelicals would have it. Rather, heaven and hell were merely about life. What we did and who we became in this life suddenly became incredibly important. Other religions seemed to have important things to say, now, because they weren't just all wrong, any more than we were all right. It wasn't just about being wrong or right. It was about becoming more real or less real. It was about becoming people who could walk in the reality of that kind of a heaven. And it was about welcoming others instead of ostracizing them. I wondered if there were those who did not know Jesus, who would get to this heaven and say, "okay, I think I can do this." I wondered if Ghandi, who said positive things about Jesus and merely disliked his followers, would get off the bus, find a heaven that he has yearned for throughout life and take the trek up to the city of God.
Those two examples were just my freshman year. I remember going home at some points throughout college and talking theology with my mom and dad, who worried about having sent their son to "that liberal school," but who nonetheless were the best parents one could have and entrusted me to God's care, I think for the better.
Anyway, there is a lot here and there is a lot more beneath the surface and there isn't much explanation, so you'd have to read A New Kind of Christian to get more of what I'm talking about. I'm just left in wonder about my life and finding myself in this different place. I mean I was always questioning, growing up. But after college, I found that I had changed, and I don't think I saw all the changes happening even though I was thoroughly aware of the controversies as they happened, I just didn't see it as an overarching push toward a whole new perspective. If someone told me I'd be here, believing these things or not believing others, when I was in high school, I don't know what I would say. I think I had a relatively open mind at that age, for I was able to carry on conversations with people of other religions or no religion at all, without offending them. That in itself I think proves something good about where I was. But life is strange sometimes, and we end up in places we'd never thought we'd be, and sometimes it's better than the places we had dreamed for ourselves.
Wednesday, November 12, 2008
A New Kind of Christian, initial thoughts.
Recently, I lent my copy of "A New Kind of Christian" to a friend, but it turns out, I never actually got past the second or third chapter, even though I really liked what it said. So yesterday I got the book back, and I started reading it, which wa convenient, because I had just finished reading another book and was wondering what to read next. So I'm reading this book, and it really gets me excited. Seriously, the struggle this guy is having with the transition the church is going through is really cool, because I've thought so many of the same things. And now I'm at the point where I can't even stand church in the old frameworks, but when I imagine a church immersed in different ways of thinking, I actually get teary-eyed. There is something in me now, and I think it has grown in me since even before college, that yearns for a different kind of experience.
Heere's some words from the book that I liked:
"It's not just burnout. It's more like I'm losing my faith - well, not exactly that, but I feel that I'm losing the whole framework for my faith. You know, I keep pushing everything into these little cubbyholes, these little boxes, the little systems I got in seminary and even before that - in Sunday school and summer camp and from my parents. But life is too messy to fit."
"Most modern people love to relativize the viewpoints of the others against the unquestioned superiority of their own modern viewpoint. But in a way you cross the threshold into postmodernity the moment you turn your critical scrutiny from others to yourself, when you relativize your own modern viewpoint. When you do thi, everything changes. It is like a conversion. You can't go back. You begin to see that what seemed like pure objective certainty really depends heavily on a subjective preference for yur personal viewpoint.
A quote from C.S.Lewis:
"It would... be subtly misleading to say, 'the medievals thought the universe to be like that, but we know it to be like this.' Part of what we now know is that we cannot, in the old sense, "Know what the universe is like" and that no model we can build will be, in that old sense, 'like' it.... There is no question here of the old Model's being shattered by the inrush of new phenomena. The truth would seem to be the reverse; that when changes in the human mind produce a sufficient disrelish of the old Model and a sufficient hankering for some new one, phenomena to support that new one will obediently turn up. I do not at all mean that these new phenomena are illusory. Nature has all sorts of phenomena in stock and can suit many different tastes."
Another good spot in the book, a girl is speaking after hearing a lecture from "Neo":
"I don't really have a question, but I just wanted to say that everywhere in my life except here and at church, I think I am postmodern. But I think when I go anyplace religious or Christian, I just sort of switch. It's like I click into my parents' way of thinking for an hour, and then I switch back. It's really cool to think that I might not have to keep switching back and forth and could just be one person all the time."
And one of my favorite spots, which I have tried to say to people with a fraction of the success of this great paragraph.
"I protested: 'Neo, I never said that my interpretations were infallible. I'm just saying that the Bible itself is.' He responded, 'Well, I'm wondering, if you have an infallible text, but all your interpretations of it are admittedly fallible, then you at least have to always be open to being corrected about your interpretations, right?' I was nodding again. Yes. Of course. Neo kept talking. 'So the authoritative text is never what I say about the text or even what I understand the text to say but rather what God means the text to say, right? So the real authority does not reside in the text itself, in the ink on paper, which is always open to misinterpretation - sometimes, history tells us, horrific and dangerous misinterpretation. Instead, the real authority lies in God, who is there behind the text or beyond it or abovie it, right? In other words, the authority is not in what I say the text says but in what God says the text says.'"
the thought continues in a later paragraph
"He continued, 'what if the real issue is not the authority of the text down on this line but rather the authority of God, moving mysteriously up here on a higher level, a foot above the ground? What if the issue isn't a book that we can misinterpret with amazing creativity but rather the will of God, the intent of God, the desire of God the wisdom of God - maybe we could say the kingdom of God?"
These are rich ideas here, but you might need to read the book to really know what i'm saying. Just understand that it's a lot like the woman at the well asking about the debate over which mountain to worship on. Jesus response is at first glance not very helpful, but it is incredibly insightful and very important. He basically makes the case that the argument you're having doesn't even translate into the will of God, because it's God's intention to dwell in your hearts. We take a lot of our disagreements over this little theological tidbit or another, and I think God's often telling us, no, the real issue is greater than that.
So I like the book, and I hope I stick with it this time. I don't exactly know how I came to be here in this place where I find all this talk about transition exciting instead of threatening, but i've been here a while, and I expect it to only get better from here.
Heere's some words from the book that I liked:
"It's not just burnout. It's more like I'm losing my faith - well, not exactly that, but I feel that I'm losing the whole framework for my faith. You know, I keep pushing everything into these little cubbyholes, these little boxes, the little systems I got in seminary and even before that - in Sunday school and summer camp and from my parents. But life is too messy to fit."
"Most modern people love to relativize the viewpoints of the others against the unquestioned superiority of their own modern viewpoint. But in a way you cross the threshold into postmodernity the moment you turn your critical scrutiny from others to yourself, when you relativize your own modern viewpoint. When you do thi, everything changes. It is like a conversion. You can't go back. You begin to see that what seemed like pure objective certainty really depends heavily on a subjective preference for yur personal viewpoint.
A quote from C.S.Lewis:
"It would... be subtly misleading to say, 'the medievals thought the universe to be like that, but we know it to be like this.' Part of what we now know is that we cannot, in the old sense, "Know what the universe is like" and that no model we can build will be, in that old sense, 'like' it.... There is no question here of the old Model's being shattered by the inrush of new phenomena. The truth would seem to be the reverse; that when changes in the human mind produce a sufficient disrelish of the old Model and a sufficient hankering for some new one, phenomena to support that new one will obediently turn up. I do not at all mean that these new phenomena are illusory. Nature has all sorts of phenomena in stock and can suit many different tastes."
Another good spot in the book, a girl is speaking after hearing a lecture from "Neo":
"I don't really have a question, but I just wanted to say that everywhere in my life except here and at church, I think I am postmodern. But I think when I go anyplace religious or Christian, I just sort of switch. It's like I click into my parents' way of thinking for an hour, and then I switch back. It's really cool to think that I might not have to keep switching back and forth and could just be one person all the time."
And one of my favorite spots, which I have tried to say to people with a fraction of the success of this great paragraph.
"I protested: 'Neo, I never said that my interpretations were infallible. I'm just saying that the Bible itself is.' He responded, 'Well, I'm wondering, if you have an infallible text, but all your interpretations of it are admittedly fallible, then you at least have to always be open to being corrected about your interpretations, right?' I was nodding again. Yes. Of course. Neo kept talking. 'So the authoritative text is never what I say about the text or even what I understand the text to say but rather what God means the text to say, right? So the real authority does not reside in the text itself, in the ink on paper, which is always open to misinterpretation - sometimes, history tells us, horrific and dangerous misinterpretation. Instead, the real authority lies in God, who is there behind the text or beyond it or abovie it, right? In other words, the authority is not in what I say the text says but in what God says the text says.'"
the thought continues in a later paragraph
"He continued, 'what if the real issue is not the authority of the text down on this line but rather the authority of God, moving mysteriously up here on a higher level, a foot above the ground? What if the issue isn't a book that we can misinterpret with amazing creativity but rather the will of God, the intent of God, the desire of God the wisdom of God - maybe we could say the kingdom of God?"
These are rich ideas here, but you might need to read the book to really know what i'm saying. Just understand that it's a lot like the woman at the well asking about the debate over which mountain to worship on. Jesus response is at first glance not very helpful, but it is incredibly insightful and very important. He basically makes the case that the argument you're having doesn't even translate into the will of God, because it's God's intention to dwell in your hearts. We take a lot of our disagreements over this little theological tidbit or another, and I think God's often telling us, no, the real issue is greater than that.
So I like the book, and I hope I stick with it this time. I don't exactly know how I came to be here in this place where I find all this talk about transition exciting instead of threatening, but i've been here a while, and I expect it to only get better from here.
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